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© » KADIST
James Welling
#17 Pink is a photogram, a photographic image produced without the use of a camera. Here, the artist placed plumbago blossoms on a sheet of eight-by-ten-inch film and exposed it to light. The negative was then projected onto Kodak Metallic Endura paper through a color mural enlarger and cooler filters to produce the multicolored print.
© » KADIST
James Welling
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it. Although Welling’s approach to photography is more conceptually oriented than poetic, the resulting image in Stowe (a direct photogram of a crumpled piece of cloth) somehow resembles a curtain, perhaps suggesting that an artificial even fictive component in photographic representation. While the curtain might echo other imagery, Welling’s approach is not allegorical but rather abstract in a way that reinforces the materiality of the object.
© » KADIST
Félix González-Torres
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience. As with most of his works, the photograph is untitled followed by a parenthesis that provides some context clues. In this case, an inscription on the reverse of the photograph reads: For Laura (Alice B. Toklas + Gertrude Stein Flower Bed in Paris).
© » KADIST
Hank Willis Thomas
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism. Historically, in countries such as the US and South Africa, the term “boy” was used as a pejorative and racist insult towards men of color, slaves in particular, signifying their alleged subservient status as being less than men. In response, Am I Not A Man And A Brother?
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
Hank Willis Thomas
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911. “Bread for all, and Roses, too’—a slogan of the women in the West,” is Oppenheim’s opening line, alluding to the workers’ goal for wages and conditions that would allow them to do more than simply survive. Thomas’ painting includes several black, white, brown, yellow, and red raised fists—clenched and high in the air in the internationally recognized symbol of solidarity, resistance, and unity.
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting. Using a found photograph depicting a passionate crowd of African Americans—their attitude suggesting the fervor of a civil-rights era audience— Intentionally Left Blanc reverts in its exposed, “positive” format to an image in which select faces are whitened out and erased, the exact inverse of the same view in its “negative” condition. This dialectic of light and dark re-emerges when we view the same faces again, only this time black and featureless, a scattering of disembodied heads amidst a sea of white.
© » KADIST
Kara Walker
In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content. Meaning, therefore, changes depending on one’s perspective—and in the case of Thomas’ installation, only emerges when one knows that there is always something hidden, always more to one of his works than immediately meets the eye. This lenticular print with text shifts as you walk in front of it from its title, “Black Imitates White” to the inverse, “White Imitates Black”(and some other possibilities in between) emphasizing that there are always at least two perspectives to the same scenario, and thereby encouraging us as viewers to consider them all together rather than trying to identify with any one subjectivity.
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
An-My LE
The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture. In the background, the steel pillars creates a division of space implying a separation the two men according to their geographic regions of origin or residence, their vocations, their ethnicities, and their attitudes toward war. Yet, the mirrored body language of the two characters also suggests their reconciliation into a dialogue perhaps characterized by the protagonists’ physical and spiritual conversation.
© » KADIST
Hank Willis Thomas
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s. I am the Greatest presents the famous quote by Mohammad Ali to think about his important presence in the African American community. In dialogue with the painting I am a Man, also in the Kadist collection, this assertion that begins the same way takes the line from the protest poster several steps further.
© » KADIST
Christine Sun Kim
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022). Sun produced this NFT from a still image of the animation that features a drawn notation of the sign “echo” in American Sign Language. Visually the black and white image depicts two side by side mounds, one labelled ‘Hand’ and the other labelled ‘Palm’.
© » KADIST
Bjorn Copeland
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco. These rather austere collages were created by simply cutting and inverting the text from existing information signs. In Sign #2 , for example, the original image that presumably carried the message “NO RIDERS” was placed upside down.
© » KADIST
Chris Wiley
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
© » KADIST
Eleanor Antin
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.
© » KADIST
Gregory Crewdson
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios. These scenes are tangibly atmospheric, visually alluring and often deeply disquieting. Never anchored precisely in time or place, these and the other narratives of Beneath the Roses are rather located in the dystopic landscape of the anxious American imagination.
© » KADIST
Oded Hirsch
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel. In the video, a fallen parachutist hangs tangled by his own lines, suspended between two electrical towers in a surreally desolate landscape of overgrown fields in the Jordan Valley of Israel. A group of over a hundred men and women approach the towers, working with almost mechanic efficiency to free the parachutist from the power lines overhead.
© » KADIST
Valeska Soares
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning. With copper wire stretched out across the room like a clothesline, Valeska Soares’ La Ligne du Temps creates a timeline out of fluttering, old book pages. Read upon the pages of this delicately wrought installation are linguistic approaches to time and its phenomonologies.
© » KADIST
Glenn Ligon
Drawing & Print (Drawing & Print)
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints. Though simple, each contains a nested stack of historical and self-referential quotations. Both black-and-white prints depict a version of Ligon’s 1988 painting, Untitled (I Am A Man) , which declares the words of the parenthetical in blocky black letters.
© » KADIST
Hank Willis Thomas
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race.
© » KADIST
Stephen G. Rhodes
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame. This visual seal refers to the disastrous aftermath of Hurricane Katrina in 2005 in which rescue workers spray painted the doors of the houses they searched giving the date, the team and the number of bodies found. Excerpt (Sealed) (Brown) is a multilayered collage with contradictory imagery—from New Orleans debris to the American eagle and a theater curtain.
© » KADIST
Juliana Huxtable
Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom. This composition is stuck to a metal plate by a series of button magnets, with interjecting phrases on them. The juxtaposition between the mysogynistic, almost puritan poetry that stripes across the bottom and the powerful crouching pose that the femme demon assumes inverts the hegemonic text , instead creating a space of alterity.
© » KADIST
Patty Chang
The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness. In 1997, a small town in an agricultural region of central China near the Tibetan border was proclaimed as the place that inspired Shangri-la. Thereafter, a dozen other cities in the same area have claimed to be paradise on earth, prompting a marketing battle without mercy, raging on until the government’s intervention.
© » KADIST
Chris Wiley
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
© » KADIST
Trisha Donnelly
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title. As with many of his works, the artist has taken a found image and manipulated it to draw out and dramatize the formal contrast between the black hands holding white cotton. Cotton, of course is one of the most familiar fabric sources to us, and becomes incredibly soft once processed.
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
Hank Willis Thomas
- location: New York, New York
- year born: 1976
- gender: male
- nationality: American
- home town: Plainfield, New Jersey
Raymond Pettibon
- location: Hermosa Beach, California
- year born: 1957
- gender: male
- nationality: American
- home town: Tucson, Arizona
Catherine Opie
- location: Los Angeles, California
- year born: 1961
- gender: female
- nationality: American
- home town: Sandusky, Ohio
Julio Cesar Morales
- location: San Francisco, California
- year born: 1966
- gender: male
- nationality: Mexican
- home town: Tijuana, Mexico
Mungo Thomson
- location: Los Angeles, California
- year born: 1969
- gender: male
- nationality: American
Walead Beshty
- location: Los Angeles, California
- year born: 1976
- gender: male
- home town: London, United Kingdom
Miljohn Ruperto
- location: Los Angeles, California
- year born: 1973
- gender: male
- nationality: Filipino and Danish
- home town: Manila, Philippines
Paul McCarthy
- location: Los Angeles, California
- year born: 1945
- gender: male
- nationality: American
- home town: Salt Lake City, Utah
Lynn Hershman Leeson
- location: San Francisco, California
- year born: 1941
- gender: female
- nationality: American
- home town: Cleveland, Ohio
Gabriel Orozco
- location: New York City, Paris
- location: Mexico
- year born: 1962
- gender: male
- nationality: Mexican
- home town: Jalapa, Mexico
Paul Kos
- location: San Francisco, California
- year born: 1942
- gender: male
- nationality: American
Bruce Conner
- location: San Francisco, California
- year born: 1933
- gender: male
- nationality: American
- home town: McPherson, Kansas
Lisa Oppenheim
- location: New York, New York
- year born: 1975
- gender: female
- nationality: American
- home town: New York, New York
Koki Tanaka
- location: Los Angeles, California
- year born: 1975
- gender: male
- nationality: Japanese
- home town: Tochigi, Japan
Daniel Joseph Martinez
- location: Los Angeles, California
- year born: 1957
- gender: male
- nationality: American
- home town: Los Angeles, California
Luisa Lambri
- location: Los Angeles, California
- year born: 1969
- gender: female
- nationality: Italian
- home town: Como, Italy
Kota Ezawa
- location: San Francisco, California
- year born: 1969
- gender: male
- nationality: German
- home town: Cologne, Germany
Ed Ruscha
- location: Los Angeles, California
- year born: 1937
- gender: male
- nationality: American
- home town: Omaha, Nebraska
Lin Yilin
- location: Beijing & New York
- year born: 1964
- gender: male
- nationality: Chinese
- home town: Guangzhou, China
Juan Capistran
- location: Los Angeles, California
- gender: male
- nationality: Mexican American
- home town: Guadalajara, Mexico
John Baldessari
- location: Los Angeles, California
- year born: 1931
- gender: male
- nationality: American
- home town: National City, California
Will Rogan
- location: Albany, California
- year born: 1975
- gender: male
- nationality: American
Chris Johanson
- location: Los Angeles, California
- year born: 1968
- gender: male
- nationality: American
- home town: San Jose, California
Alexis Smith
- location: Los Angeles, California
- year born: 1949
- gender: female
- nationality: American
- home town: Los Angeles, California
Christine Sun Kim
- location: New York, New York
- year born: 1980
- gender: female
- nationality: American
- home town: Orange County, California
Petra Cortright
- location: Santa Barbara, California
- year born: 1986
- gender: female
- nationality: American
Andrea Bowers
- location: Los Angeles, California
- year born: 1965
- gender: female
- nationality: American
- home town: Wilmington, Ohio
An-My LE
- location: New York, New York
- year born: 1960
- gender: female
- home town: Saigon, Vietnam
Clarissa Tossin
- location: Los Angeles, California
- year born: 1973
- gender: female
- nationality: Brazilian
- home town: Porto Alegre, Brazil
Ari Marcopoulos
- location: New York, NY
- location: Sonoma, CA
- year born: 1957
- gender: male
- nationality: Dutch
- home town: Amsterdam, Netherlands
© » ARTLYST
about 3 months ago (01/17/2024)
Brent Sikkema, the Manhattan art dealer renowned for representing artists such as Jeffrey Gibson and Kara Walker found dead The post Brent Sikkema – Visionary Art Dealer Of Jeffrey Gibson And Kara Walker Murdered appeared first on Artlyst ....
© » ART & OBJECT
about 4 months ago (12/12/2023)
Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » APERTURE
about 5 months ago (12/01/2023)
For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....
© » ROYAL ACADEMY
about 7 months ago (10/05/2023)
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....
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1960-1969
Judy Chicago
1969Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
Wallace Berman
1969While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
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1970-1979
Eleanor Antin
1973Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
Allan Sekula
1973San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Daniel Joseph Martinez
1978For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...
Bruce Conner
1978In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
Larry Bell
Drawing & Print
1979(Drawing & Print) Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
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1980-1989
Charles Gaines
1980To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
Paul McCarthy
1983McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
Edward Kienholz
1984Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
Robert Therrien
1985In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
Catherine Opie
1987In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
Catherine Opie
1987Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
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1990-1999
Alexis Smith
1990Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...
John Baldessari
Drawing & Print
1991(Drawing & Print) The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
Félix González-Torres
1992Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Gabriel Orozco
1992Gabriel Orozco often documents found situations in the natural or urban landscape...
Catherine Opie
1993Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Gabriel Orozco
1994Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
Catherine Opie
1994Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Alexis Smith
1995In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
Bruce Conner
Drawing & Print
1995(Drawing & Print) Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
Mike Kelley
1996Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
John Baldessari
1997In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
Ari Marcopoulos
1998A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...
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2000-2009
Glenn Ligon
Drawing & Print
2000(Drawing & Print) Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Chris Johanson
2000Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
Raymond Pettibon
2000Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
Raymond Pettibon
2000The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Gabriel Orozco
2002Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...
Juan Capistran
2002The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Luisa Lambri
2002Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Mark Grotjahn
Drawing & Print
2002(Drawing & Print) This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...
Kota Ezawa
2002The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Chris Johanson
2004Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor...
James Welling
2005#17 Pink is a photogram, a photographic image produced without the use of a camera...
Kara Walker
2005In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...
Gregory Crewdson
2005Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Daniel Joseph Martinez
2005Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
Juan Capistran
2005White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
James Welling
2006Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Edgar Arceneaux
Drawing & Print
2006(Drawing & Print) Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
Raymond Pettibon
2006The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Julio Cesar Morales
Drawing & Print
2006(Drawing & Print) Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
Clare Rojas
2006Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Trisha Donnelly
2007Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Piero Golia
2007Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
Luisa Lambri
2007Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
Luisa Lambri
2007Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Larry Bell
2007Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Will Rogan
2007Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
Lynn Hershman Leeson
2007Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Raymond Pettibon
2007The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Kate Gilmore
2008In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...
Ari Marcopoulos
2008In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home...
Paul McCarthy
2008Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Mungo Thomson
Drawing & Print
2008(Drawing & Print) The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
Dinh Q. Lê
2008Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition...
Luke Butler
Drawing & Print
2008(Drawing & Print) In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
Clare Rojas
2008Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Julio Cesar Morales
2008The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...
Bruce Conner
2008Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Bjorn Copeland
2009Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
Miljohn Ruperto
2009Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
Mario Ybarra Jr.
2009Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Jedediah Caesar
2009For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Koki Tanaka
2009Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Miljohn Ruperto
2009Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts...
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2010-2019
An-My LE
2010The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...
Stephen G. Rhodes
2010For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
Shahzia Sikander
2010The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
Walead Beshty
2010Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
Paul McCarthy
Drawing & Print
2010(Drawing & Print) To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
Koki Tanaka
2010Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Chadwick Rantanen
2010Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...
Jedediah Caesar
2010After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...
Mungo Thomson
2010In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
Andrea Bowers
Drawing & Print
2010(Drawing & Print) The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Chris Johanson
2010Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky...
Alicia McCarthy
Drawing & Print
2010(Drawing & Print) A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work...
Will Rogan
Drawing & Print
2010(Drawing & Print) MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
Desiree Holman
2010Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
Alicia McCarthy
Drawing & Print
2010(Drawing & Print) A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work...
Yang Guangnan
2011Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
Walead Beshty
2011Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Julian Hoeber
2011Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Karl Haendel
Drawing & Print
2011(Drawing & Print) Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Julio Cesar Morales
2011Contrabando is a work that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes...
Matt Lipps
2011Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
Ana Teresa Fernández
Drawing & Print
2011(Drawing & Print) The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
Matt Lipps
2011In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Ranu Mukherjee
2011Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Petra Cortright
2011In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...
Hank Willis Thomas
2012Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Hank Willis Thomas
2012Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Oded Hirsch
2012Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Valeska Soares
2012Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Jeff Burton
2012In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror...
Clarissa Tossin
2012In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
Mark Bradford
Drawing & Print
2012(Drawing & Print) This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Walead Beshty
2012Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Juan Capistran
2012The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
Petra Cortright
2012In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape...
Hank Willis Thomas
2013The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
Koki Tanaka
2013This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
Jeff Burton
2013Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
Rodney McMillian
2013In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...
Miljohn Ruperto
2013Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways...
Brian Bress
2013Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Hank Willis Thomas
2014South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Hank Willis Thomas
Drawing & Print
2014(Drawing & Print) Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Mungo Thomson
2014Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
Will Rogan
2014Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Kota Ezawa
2014Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
Andrea Bowers
2015Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
Phillip Maisel
2015While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Martine Syms
2016Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
Lynn Hershman Leeson
2016Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
Juliana Huxtable
2017Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
Miljohn Ruperto
2017Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
Clarissa Tossin
2017Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Lynn Hershman Leeson
2017Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
Walead Beshty
2018Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...
Xaviera Simmons
2019Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...
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2020-2029
Christine Sun Kim
2022Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
